The 2020 drama Thappad, starring Taapsee Pannu, and Alia Bhatt’s dark comedy Darlings, according to Huma, are two of her recent favourite movies that defied storytelling conventions.
Huma Qureshi, a prominent Bollywood actress, has recently applauded the change in female representation in Indian cinema. In a recent interview, she expressed her joy at the fact that more women are being given significant roles in movies and are being portrayed in a more positive light.
According to Qureshi, there has been a significant shift in the way female characters are written in Indian cinema. Women are no longer just props to be used to further the male protagonist’s story but are instead being written as characters with their own personalities, motivations, and story arcs. She believes that this change is long overdue and is a step in the right direction for the Indian film industry.
Qureshi has been a vocal advocate for better representation of women in Indian cinema. In her early days as an actress, she struggled to find roles that went beyond the stereotypical portrayal of women in Indian movies. She has since then made a conscious effort to choose roles that are challenging and portray women in a positive light.
In her interview, Qureshi also praised the work of female directors who are making waves in the Indian film industry. She believes that female directors bring a unique perspective to filmmaking and are more likely to write roles for women that are authentic and empowering. She cited the example of Meghna Gulzar, who directed the critically acclaimed movie “Raazi” starring Alia Bhatt. The movie was a huge success and portrayed women as strong, independent, and intelligent.
Qureshi also spoke about the need for greater representation of women in the technical aspects of filmmaking. She believes that more women should be given opportunities to work behind the camera as directors, producers, cinematographers, and writers. This, she believes, will lead to more diverse and nuanced representations of women in Indian cinema.
In recent years, there has been a significant push for better representation of women in Indian cinema. Female-led movies like “The Dirty Picture,” “Queen,” and “Tumhari Sulu” have been critically acclaimed and commercially successful. These movies have shown that there is a market for movies with strong female characters and have paved the way for more such movies to be made.
Qureshi believes that this change in representation is not just good for women but is good for the industry as a whole. She believes that movies with strong female characters are more relatable and resonate with audiences on a deeper level. She hopes that the Indian film industry will continue to move in this direction and that more women will be given opportunities to tell their stories.
In conclusion, Huma Qureshi’s advocacy for better representation of women in Indian cinema is both timely and necessary. The Indian film industry has long been criticized for its stereotypical portrayal of women, and the recent push for change is a welcome development. Qureshi’s call for more women to be given opportunities in the technical aspects of filmmaking is particularly important, as it will lead to more diverse and nuanced representations of women on screen. It is heartening to see more movies with strong female characters being made, and one can only hope that this trend continues.
